Friday, September 30, 2011

Getting Back My Reading Mojo

I grew up reading avidly, both fiction and non-, and continued to read a lot as an adult. I especially loved and still love collections of short stories. Reading a series of short stories was better than watching TV, and there were no commercials! Then I was introduced to the Internet. The Internet is at once an avenue to all things cultural and literary today and a destroyer of good reading habits. Before I bash too much, even without the Internet, I wonder if some of us lose our reading habits any way as we get older. I won't put all the blame on the web.

I've managed to read books off and on since my Internet reading and blogging began, but recently something happened that unexpectedly increased time spent reading off line (or "real reading", as I'd like to call it). A little corner of my house serves as a small sun room, and I've been doing it up to feel like a sort of patio or veranda. A ceiling fan and another picture not shown in my photo here, and two or three vases of cat-safe artificial plants add to a fantasy tropical island atmosphere. I also call it my Key Largo Room, frankly named after a favorite movie rather than a book. It seems to be one of Ollie's favorite places in the house, too, which I take as a good sign. (The wrap-around corner window that admits so much light to this room has a wide sill, and this is Ollie's porch which I've mentioned elsewhere with photos taken of him through the screen.)

Getting to my point: The Key Largo Room has become almost unintenionally a reading sanctum. The computer, stereo, and the TV and DVD player are all located in other rooms away from this part of the house. I gravitate to this room with my books or magazines and sit for a spell to read without distraction. Lately, I finished reading "Livvia" in The Collected Stories of Eudora Welty. I planned to post a passage from this beautiful story, as I have done here in the past. It would have been a slice of a larger story that felt so much like walking through a painting: Welty's description of the magical yard leading up to Solomon's little house from the Natchez Trace. This would have left out all the personal drama that makes the story, however. Besides the main action with Livvia and Solomon, later in the story come scenes involving an almost fairy-like but not exactly benign precursor to the Avon Lady selling cosmetics for both "white and colored people" and a dapper figure who reminds me a little of Sportin' Life in "Porgy and Bess".

Maybe a book club that meets in person would be another avenue for social interaction; however, the idea of agreeing to read the same book that I might not otherwise read so that it could be discussed at the meeting puts me off for some reason. I've heard of some clubs that let you talk about whatever you're reading, regardless of whether other people in the group are reading the same thing, and that's more appealing.

Looking for blogs with a literary bent, I searched on Welty's name and found Read All Day. I'm posting the link here for reference and for something else to read on the Internet. I might include it in my blog roll when I can get to my other, more capable computer.

Addendum:
The picture that is visible in my photo is "Tradewinds" by Diane Dunn of the Artists' Gallery in Columbia Town Center. It's an infrared photograph handpainted with pastels. Although taken in Hawaii, the windblown palm trees certainly remind me of imagery in the movie, "Key Largo".

Thursday, September 29, 2011

sick opera cats and a new cd player

perhaps of interest to some of my music friends...

~~ I'm down with a cold and have postponed a routine car maintenance appointment for tomorrow already. I'm afraid this will dash concert-going and other plans this weekend also. (I've been sharing program details for chamber recitals in Columbia this weekend with friends.)

~~ Ollie, #1 Opera Cat on this blog, has been to the vet a couple of times recently. Inflammatory Bowel Disease which he has probably had all his life is getting worse. On the first visit, he had stopped eating by the time I took him in. This last time, he was acting fine but there were trouble signs in the litter pans, so I took him back before things got worse. An anti-inflammatory steroid shot reverses the IBD symptoms sharply for a while at least. Pills of the same medicine given at home might be necessary later. You just grab his head from behind, hold his lower jaw down with a finger, drop the pill down the V-shaped groove at the back of his tongue, blow lightly down his nostrils (not kidding!) and release him. Just like the vet does with him in the clinic. Easy. The nostril-blowing maneuver apparently discourages him from ejecting the pill. For now, we are gradually switching his food from the sensitive stomach formula I've been buying off the shelf to a prescription food from the vet clinic. It's supposed to be a gradual switch, but he seems to be relishing the pellets of the new food before he eats his old stuff. Except for that spell of not eating, which was an extra worry during the recent hurricane, the little rascal and love bug has been carrying on with his usual playing and antics. You wouldn't think anything was wrong with him until you saw his pitiful efforts in the pans.

~~ If I'm housebound this weekend, I can indulge in my new Bose Acoustic Wave Music System. My main CD player, also an upscale portable unit, a very beautiful one from a certain Danish company, began skipping recently. The radio still gets WBJC just fine, but it was time to find a new player. (In my experience, skipping CD players are difficult to get repaired properly.) The Bose, bought from the dealer in the Columbia Mall, has a very low profile but puts out excellent sound. I won't pretend that it's as good as some of the better speakers in component systems, but it's at least as good as my old B&O portable. If it can handle di Stefano's "Celeste Aida", then I'm sure it will give me much pleasure with other opera recordings later.

A small minus, not one to make me take the Bose unit back: The remote does not allow selection of tracks by number, though it does have buttons for skipping to adjacent tracks. I went back to the store in hopes that the larger remotes sold separately had the track selection function, but they are only larger versions of the tiny remote that comes with the unit. This will only be a problem when I want to pick out favorite tracks in opera recital albums. Otherwise, most of the time, I won't miss this function. There is a shuffle mode -- not something my old unit had -- but I wonder if something like that increases wear on the moving parts. I skipped getting the extra multiple disc changer. Didn't have it with the old unit. Getting up to change discs gives me some exercise.

Tuesday, September 27, 2011

A Quartet and a Trio in Columbia This Weekend

Check out the Ying Quartet's adventurous program for Candlelight Concerts this Saturday night at Howard Community College's Horowitz Performing Arts Center:

Wolfgang Amadeus Mozart: Quartet in E-flat Major, K. 428
Paul Moravec: Anniversary Dances** (new commission)
John Novacek: Three Rags for String Quartet
Bedřich Smetana: Quartet No. 1 in E minor, "From My Life"

The next afternoon at Christ Episcopal over in east Columbia, the Mendelssohn Piano Trio will perform trios by Haydn, Brahms and Schubert for Sundays at Three.

Monday, September 26, 2011

playlist: in an opera cat's lair

Sunday was one of my go-nowhere-in-the-car, take-a-break-from-traffic days. A playlist developed that might have been inspired by discussion on line and on the air:

~~ Countertenor Philippe Jaroussky singing "forgotten castrato arias" by Antonio Caldara on Jaroussky's recent Virgin Classics release. An amazing voice, and somebody was right about his coloratura. (One critic I read maintains that Jaroussky is really a male soprano.)

~~ I passed over some new albums waiting to be played and pulled out a classic Decca set of Verdi's "Un Ballo in maschera": Solti conducts the National Philharmonic Orchestra. The proverbial luxury cast: Pavarotti as Riccardo; Christa Ludwig as Ulrica; Renato Bruson as Renato; Margaret Price as Amelia; Kathleen Battle as Oscar. This set is said to be one of the few opportunities to hear soprano Price in recording.

~~ Recorded 2002 interview with tenor Giuseppe di Stefano (on one of the CD's that used to come with Gramophone) led to hearing a few tracks from a Decca album of di Stefano in famous and not-so-famous arias. This set from "The Singers" series includes some selections of a di Stefano specialty: traditional Sicilian songs. They sound like something quite apart from mainland Italian songs both in the music and the language. (I must hear "Cantu a timuni" again.)

Saturday, September 24, 2011

Anticipating Opera: A Busy November in Baltimore

I'm missing BCO's season opener this weekend, Butterfly, unfortunately, but it is one I've heard several times before in recording and performance.

Looking at the company links in my blog margin, I'm making a note of a few dates, all concentrated in November:

Grand-stage opera returns to the Lyric Opera House with the new Lyric Opera Baltimore's production of Verdi's "La Traviata". Conductor Steven White and soprano Elizabeth Futral will be familiar to some of us who attended Baltimore Opera Company performances. Baritone Jason Stearns is a voice I've been wanting to hear after reading reviews. November 4 and 6.

Peabody Opera Theater appears at the Lyric in November, too. Stravinsky's "The Rake's Progress", November 18 and 20. Look for more seldom heard fairly recent operas later in Peabody's season at the main conservatory building and Baltimore Theater Project. Note the new outreach feature: an operatic condensed version of Shakespeare's "The Tempest".

Opera Vivente, performing in English, is remaining in its space not far from the Peabody and the Lyric (see preceding post). The OV season opens with Mozart's "The Marriage of Figaro" and a favorite baritone singer-actor in the title role -- John Dooley. November 11, 13, 17 and 19.

///Opera friends are welcome to join us at my close-to-Halloween movie night, discussed a couple of posts before this. It's not opera, but it will be a nice diversion.///

Opera Vivente's Frustration; a Silver Lining (?)

[Edited again.]

I just read the news on Opera Vivente's site. Thanks to Opera Vivente for giving us the details, and we feel your pain but probably can't feel the full extent of the frustration you must be experiencing. OV was slated to move into a new home this season after spending its first 13 years in the church hall at Emmanuel Episcopal in Baltimore's Mount Vernon district. The new home at the Maryland State Boychoir's performance space in north Baltimore promised a larger stage with a better support area and a larger hall with raked seating. OV cancelled its second annual summer academy for young singers this year in order to make the move. Some details about what reversed the move after so much planning and effort and how OV is accommodating ticket buyers are available on OV's site. Briefly, lease negotiations with the MSB went sour, and OV will move back to the space at Emmanuel for this season.

There is a silver lining, at least from my viewpoint. I completely understand that the people at OV might not see it, but here it is: Opera Vivente has been one of the gems in the Mount Vernon Cultural District, where several opera companies and other ensembles are located. I enjoy heading for the same general area and knowing the parking situation, being able to leave the car in one place and dine at City Cafe (or another of the neighborhood's famous restaurants) before or after a performance or a visit to a museum. Depending on timing, sometimes you can even wander the galleries in the Walters Art Museum while waiting to attend a performance nearby. So, while I was looking forward to seeing Opera Vivente in its new theater, in some ways the extended stay in Mount Vernon will be nice, at least for some of us.

///See my next post for the opera scene in Baltimore as the 2011-2012 season opens.///

Friday, September 23, 2011

movie night date shifted -- "The Old Dark House"

This is mainly a note for friends for a movie night that I'm coordinating mainly through Facebook, but there are some loose threads and I'm working with limited access to Facebook. The event was first posted for October 28, but I've moved it to October 29. I think the Saturday evening will work better for most of us. I made the change on Facebook, but I need to circulate that information again.

James Whale's 1932 "The Old Dark House" will be the focus of this movie night. Viewers who are tired of all the recent rain and storms in this area should be forewarned. There will be plenty more of it on the screen that night, but I love the way Whale and his crew gradually introduce us to the Femm family and show us around the house of the title. Boris Karloff, Gloria Stuart, Charles Laughton, Raymond Massey and Ernest Thesiger are some names in the cast of actors that still resonate today. Whale involved some other wonderful actors of the day who he knew from the English stage -- Eva Moore, Brember Wills and "John" Dudgeon -- to play the denizens of the strange house along with Thesiger and Karloff.

A little spoiler I won't share on FB: Brember Wills, who I have not seen in other movies, represents a climax in the story. A gripping actor, he might have some of my guests going home to make sure they don't have anyone locked away upstairs.

A short bonus that night will be a live-action film, "The Wizard's Apprentice" or "The Sorcerer's Apprentice", made by William Cameron Menzies. It uses Dukas' music for its score, and it might have been a model for the Disney animated version.

(No score for Dark House! Just some atmospheric music, uncredited, during the credits, but perhaps the storm raging outside provides a score of sorts.)

Addendum: Friends can expect this party to be very casual. The films on the roster are a lot of fun as well as very interesting. Food and drink will not be quite dinner but will be plenty, and I'm thinking of getting a theme cake from Touche Touchet Bakery in Columbia. (Their cakes went over very well at a big party I had last year.) Of course, my rather sociable cat will watch with us and visit with everyone.

Wednesday, September 21, 2011

Howard County Bird Club and Robinson Nature Center

The Bird Club has been holding its regular meetings and presentations open to the public at various locations in Howard County for many years. It's taking up residence at the county's new Robinson Nature Center and will have it's first public presentation in the evening on October 13 -- slides and a talk focusing on Cape May by a speaker and birdwatching friend who will be very interesting to hear.

howardbirds.org has the details about this and other ornithological events.

If you have not seen the Robinson Nature Center, please visit! This will be one of the county's gems in the years to come -- a wild beauty spot, and the building itself is a fine piece of architecture even with its low profile on the site. A forest canopy and understorey exhibit with a handicapped-friendly walk wrapping around it from top to bottom looks like a kids-of-all-ages pleaser. There is a small admission fee, or you can get an annual membership. I'll have to return for the trail down to the Middle Patuxent River when this rain lets up. (I made a gallant attempt but had to turn back.)

We're very, very fortunate that the founders and organizers created this facility and preserved the surrounding slice of wilderness.

Robinson Nature Center


hocoblogs@@@

Sunday, September 18, 2011

Wonderful Modern Music on Harp and Flute Program

Harpist Jacqueline Pollauf and flutist Rachel Choe played magnificently in a terrific program last night at the UUCC Chalice Concert Series here in Columbia, Maryland. We like to use words like "beautiful" and "glittering" to describe harp music, but today's performers and composers for the instrument seem to be on a mission to show that the harp is not just another pretty instrument. This is not to suggest that last night's works were ultramodern and posed too much of a challenge for listeners not trained in music. Even Jolivet's blend of twelve-tonal technique with Debussy and Ravel (as described before the concert by Pollauf -- shades of composer Frank Martin?) was interesting and marvellous to hear.

For the record and to add to the Internet buzz for the less familiar composers, I'd like to share the program, entitled "Framed Pairs", here. Except where indicated, the pieces are for solo harp and originally written for that instrument:

Variations on a Chant -- Juan Orrego-Salas (b. 1919, Chile)

Sonata (for flute and harp) -- Carmen Petra-Basacopol (b. 1926, Romania)
- Allegro appassionato
- Andante espressivo, rubato
- Allegro vivo
(This was my favorite work on the program.)

Prelude -- Andre Jolivet (1905-1974)

Sarabanda e Toccata -- Nino Rota (1911-1979)
(Or maybe this was my favorite work!)

Oriental Dance and Toccata (transcription from - piano?) -- Aram Khachaturian (of Sabre Dance fame, 1903 - 1978, Armenia)

Prelude No. 2 from Three Preludes (transcription from piano by Y. Kondonassis) -- George Gershwin (1898-1937)

Sonata (for flute and harp) -- Nino Rota
- Allegro molto moderato
- Andante sostenuto
- Allegro festoso

Fantasie sur un Theme de Haydn -- Marcel Grandjany (1891-1975)


link to UUCC Chalice Concerts

Saturday, September 17, 2011

a little ramble: Columbia concerts, Japanese spring in DC museums, more movie infatuation, etc.



~~ Festivities for Oakland Manor's 200th birthday just down the street from me start at 11:00 this morning....Harp recital with some flute is at 8:00 this evening at the UU Chalice series. (See preceding posts for details.)....On WBJC, I heard about another musical event at Howard Community College's Smith Theater tonight. I'm heading for the harp recital, but what's happening at Smith might be in my link for the Horowitz Performing Arts Center in the blog margin. I am just delighted by the concert choices available without leaving Columbia (but we still need an opera house or suitable theater and resident opera company!).

~~ Note that I'm posting notices of local upcoming performances -- a few are submitted to me by e-mail with requests to post -- but I'm getting away from trying to review performances afterwards. So if you don't see a review here, it doesn't mean I didn't like the performance! I also admit that sometimes I just don't make it to a performance that I've mentioned here. That said, sometimes I come home from an opera so impressed by something, I must post. Also, if it's early enough in the production run, I may want to pass on that it would be a good idea to go.

I get requests to post notices for other music genres. Please understand that I have to stay in a certain range here and don't have time for everything. Be it known, too, that if someone wanted to start a blog about indie pop or C&W or other genres on Hocoblogs, there would be an interest in it.

~~ I'm anticipating a Japanese spring in DC's art museums next spring. The back page of the Post's Style section last Friday (Sept. 9) had an article about some exhibits that will draw me back to the city in spite of misgivings about the metro system. (The Mall, by the way, is one of my favorite places, and I would miss it.) The National Gallery of Art will exhibit scroll paintings by Ito Jakuchu in conjunction with the centennial of Japan's gift of the Tidal Basin cherry trees. Across the Mall, the Smithsonian's Sackler Gallery will be showing the famous "Thirty-Six Views of Mount Fuji" by Hokusai and Kano Kazunobu's series of paintings of Buddha's disciples.

NGA's page for the upcoming Jakuchu exhibition.

Take note that up in Baltimore, the Asian collection in the Walters' Hackermann House has some splendid Japanese ceramic vases. I'm sure I saw some of them in a temporary exhibit at either the Sackler or adjacent (Ripley?) center some years ago.

~~ DC Metro's Green Line gives me a straight shot to the Mall area from north of DC, without any need to change lines on the way. Archives/Navy Memorial Station on the Green Line is a short walk from the National Gallery and the Mall. I was ranting about problems with Metro in a recent post. Any opportunity to get to a destination in DC without changing lines is golden to me.

Here is a blog for DC Metro riders!

~~ Movie suggestions: "A Little Romance" (1979). It had slipped from memory until I spotted the DVD at Daedalus Books last week, and it made a charming and moving evening of viewing last night. This must be one of the last films to feature Olivier, so beguiling along with teenage actors playing lovers, Diane Lane and Thelonius Bernard. Also starring locations in Paris, Verona and Venice and a Vivaldi-influenced score by Georges Delerue.

A few other movies of note that came my way at Daedalus in Columbia (a great source, if you like to collect and keep DVDs): Sam Peckinpah's "The Wild Bunch" (interesting contrast to "A Little Romance"?)....Richard Lester's "Petulia" with George C. Scott, Julie Christie and Richard Chamberlain. A time capsule from the 1960's....the more recent "Me and Orson Welles". Some how, they revived or found Welles alive and well to play himself. I don't believe that's really an actor named Christian McKay....Welles' own movie, "The Lady From Shanghai". I remembered seeing the weird hall of mirrors scene before but not all the details. When actor Everett Sloane stalked into the proceedings with his canes......

Note from the special features for "The Lady From Shanghai": It is a shame that the movie was cut up so much that it didn't really resemble what Welles had intended. Further, he hated the Disneyish score with its obvious musical gestures. At one point, he actually had a contribution from George Antheil in hand as a start for a score, but producers had other ideas. Nevertheless, it's a compelling story with fine acting and impressive imagery and Errol Flynn's yacht.

Friday, September 16, 2011

200th Birthday of Oakland Manor Celebrated, Saturday, Sept. 17


Walking tour part of Historic Oakland’s 200th birthday celebration

Columbia Archives and Howard County Historical Society partner to lead tour Barbara Kellner, director of the Columbia Archives, and Lauren McCormack, executive director of the Howard County Historical Society, will lead a walking tour of Historic Oakland and its environs as part of the Town Center Celebration of Historic Oakland’s 200th Birthday on Saturday, September 17. The free event, which begins with the tour at 11 a.m. and continues to 3 p.m., will also include a concert by the U.S. Army Field Band; a talk about Oakland by Ken Short, architectural historian of Howard County; period dance demonstrations;  hands-on games and toys that harken back to the 19th century; and light refreshments.Historic Oakland was built in 1811 by Charles Sterrett Ridgely.  It was one of the most elegant homes in the area when it was built.  Today it is a unique and elegant building in the middle of Columbia that has a rich history that includes ownership by prominent Maryland families in the 19th and early 20th centuries, and an equally interesting history as a community resource since being purchased by The Rouse Company for the development of Columbia.Kellner and McCormack will share the stage to bring alive the pre-Columbian and Columbian history as they lead a walk from Historic Oakland on Vantage Point Road to the historic structures on Hyla Brook Road that were all once part of the Oakland estate.Tour reservations are encouraged but not necessary.  For more information about the celebration, please contact Pat Loeber of the Town Center Community Association at 410-730-4744.  For information about the tour, please contact Barbara Kellner at Columbia.Archives@ColumbiaAssociation.com or 410-715-3103.



Historic Oakland 200th Birthday Celebration
Saturday, September 17, 2011


Schedule of Events


11:00–11:30 a.m.              Tree Planting                     Rear Lawn                  

11:00 a.m.–12:30 p.m.      Walking Tour of Estate      Front Steps

11:00 a.m.–1:00 p.m.        Indoor Games                   Sterrett Room

11:00 a.m.–3:00 p.m.        Historic Displays              Foyer

11:00 a.m.–3:00 p.m.        Time Capsule         Foyer                                      

11:00 a.m.–3:00 p.m.        Oakland History Video      Ridgely Room

12:00–2:00 p.m.                Light Refreshments          Verandah

1:00–1:30 p.m.                  U.S. Army Field Band        Ballroom

1:00–3:00 p.m.                  Outdoor Games                Front Lawn

1:30–2:00 p.m.                  Architectural Presentation   Library

2:00–2:30 p.m.                  Dances From the 1800’s     Ballroom


Historic Oakland Manor
5430 Vantage Point Road, Columbia, MD 21044
410-730-4744

Patricia B. Laidig
Village Manager
5430 Vantage Point Road, Columbia, MD 21044
410-730-4744
towncenter@columbiavillages.org

(Notice and graphics copied from Columbia Town Center e-mail.)

hocoblogs@@@

Wednesday, September 14, 2011

playlist

Some recordings I've heard at home recently:

~~ Frank Martin's "Der Sturm". Thierry Fischer conducts soloists and the Netherlands Radio Philharmonic Orchestra and Choir. First complete recording of the opera from Hyperion, recorded in 2008. I wish to add my vote to any online advocacy for bringing this fabulous masterpiece to the stage again.

~~ various orchestral works by Martin, mainly the ballades for solo instruments and orchestra (Bamert, LPO on Chandos) and the violin concerto (violinist Wolfgang Schneiderhan in a vintage recording). I must revisit other orchestral and choral works in my collection. Penguin Guide praises the cello concerto in a Bis recording which I'd like to find.

~~ Verdi's "Il Corsaro" (The Pirate). Carreras, Caballe, Norman. Lamberto Gardelli conducts the New Philharmonia Orchestra. Philips Classic Opera reissues, 1976/2005. Well worth investigating. If you want to stage it, apparently there's only one cannon shot you have to worry about doing. There is a high body count at the end, a situation that could be either comedy or tragedy. I'm imagining Edward Gorey illustrations for the program.

~~ Orlando Gibbons' Consorts for Viols. Phantasm. Avie, 2004. Serene and sublime. Phantasm has a new recording of music by William Byrd, too.

~~ Jean Sibelius, Piano pieces. Ashkenazy. Triton, 2008.

~~ various works by Rimsky-Korsakov in conductor Kees Bakels and the Malaysian Philharmonic Orchestra's set on Bis, 2003-2006/2007. This is a great set, but also consider Neeme Jarvi and the Scottish National Orchestra in some of this repertoire on Chandos. Their take on the Christmas Eve Suite and the Hymn to Nature from "The Invisible City of Kitezh" in particular cause goose bumps and throat lumps in me. The Bis set has the composer's Piano Concerto among other works not duplicated on Chandos.

~~ York Bowen, Symphonies 1 and 2. Sir Andrew Davis and the BBC Philharmonic. Chandos, 2011. (Have not listened to this yet! It arrived with the Martin opera last week.)

Monday, September 12, 2011

Harp Recital in Columbia this Saturday Evening

Harpist Jacqueline Pollauf has played for the Baltimore Symphony Orchestra and Opera Vivente's ensemble among other orchestras in addition to her many solo and chamber recitals. Now we can hear her along with flutist Rachel Choe in Columbia this weekend at the UU Chalice Concert Series:

September 17, 2011 - 8:00 pm
Chalice Concert Series
Owen Brown Interfaith Center
7246 Cradlerock Way, Columbia, MD 21045
Jacqueline performs a solo recital including works by Gershwin, Khachaturian and Jolivet. Flutist Rachel Choe will join Jacqueline for two pieces. Pre-concert talk begins at 7:15. Tickets are $15, $12 for students in advance or $20, $15 for students at the door.

jpharp.com

Saturday, September 10, 2011

New Nature Center; Gardening

Joe Pye weed and black-eyed Susan beds along Lake Kittamaqundi. Butterflies' delight! (Taken a few summers ago -- this area is currently closed to the public and butterflies during the dredging and infrastructure work.)

The Robinson Nature Center has its grand opening today. I'm adding it to my list of Garden Spots.

This afternoon, I'll be at the previously mentioned Bay-Wise garden tour in Ellicott City organized by the Howard County Master Gardeners. (Reservations by e-mail were required.)

Another huge concert at the Post Pavilion takes place today. Town Center advisory warned us about the event traffic / traffic event. I've mapped my way out of Town Center to get to the Ellicott City area for the garden event.

hocoblogs@@@

Friday, September 9, 2011

A White Wine Perfect for Opera Cats

An Australian friend many years ago introduced me to sauvignon blancs from New Zealand's Marlborough wine region, and I've been a fan ever since. I like the crisp, slightly grassy flavor and pale greenish hue, though some descriptions mention fruit flavors. One I had at Clyde's here in Columbia a few weeks ago was as peachy as the menu description said and perhaps too peachy for me. (If it had been sold as something other than a sauvignon blanc, I might have liked it more!)

At the time in Australia, the one we were trying was Cloudy Bay's "sauv blanc". This would have been in 1987 or '88. My friend quoted an Aussie wine reviewer whose assessment (and she was admiring the wine) went something like this: "The bouquet reminds me of the gooseberry bush in the garden on a cold, frosty morning right after the cat has pissed on it."

Well, if that doesn't entice you, I don't know what will. Fortunately, Cloudy Bay is going strong still, and I just opened a chilled bottle of their 2009 sauv blanc found at the Perfect Pour in Howard County. (It has a screw top instead of a cork! Some good wines come with screw tops now.)

link to Cloudy Bay's site (There is a quick age check gateway where you enter birth date and country of residence before you get into the site.)

Tuesday, September 6, 2011

Storm Stories

My little storm cloud is really a ray of sunshine.

~~ I heard William Byrd's Fitzwilliam Suite for brass on WBJC on the way home in today's rainy weather. I think they've played that one before. There's a slow, stately movement that really affects me, and I must get the recording.

~~ The whole beach cottage is gone. I spent a magical summer afternoon there a couple of years ago relaxing and watching dolphins out in the water. Irene's storm surge up the estuary on North Carolina's coast obliterated the cottage along with other houses on the shore. My folks arrived from town nearby after the storm expecting to find the pier gone, and the whole house had disappeared. Pieces are strewn around the woods behind the lot, but they don't want to investigate further until "snake season" is over. The loss seems more than severe property damage...Houses on stilts were not immune to the hurricane either. A neighbor in one such house found himself swimming for his life when the surge came up through the floor. He returned to rescue his dog and spent the next twelve hours in a small boat before the waters receded...Peacocks belonging to one of the residents some how knew to go to high ground before it was too late and were alive and well after Irene passed...Voices sometimes sounded fatigued and near to cracking when I talked to family over the phone last week. I'm heading down to see them soon.

~~ "Der Sturm" by Frank Martin is on its way to me in the mail.

Monday, September 5, 2011

Falling Trees Still a Hazard after Last Week's Storm?

I sent e-mail to Town Center, so they're aware of it. I heard the large tree fall and saw its top going down before I knew what was happening. This was while I was walking down Vantage Point Road in Columbia Town Center just before 4pm. It's in the strip of woods between the park on Vantage Point and Oakland Manor and the African American Museum. The tree is leaning against some smaller trees and still settling.

I'm guessing that the tree cracked near its base during the storm but didn't fall right away. This is a nice little safety hazard and further tree loss to worry about a week after Irene has passed by.

hocoblogs@@@

Howard County Scenery: Go West!

[Edited.]

After celebrating upstate New York's scenery during my recent vacation, I was reminded that we have our own version of rural vistas with real rolling countryside here in Howard County. They're to be found mainly in the western part of the county -- so far, I've enjoyed them on drives down 144 west from 32, on my way to Sun Nurseries. I headed out that way twice this weekend while making a gardening decision, and I didn't mind having to do the second drive at all. (On the first drive, I also went as far as Lisbon before stopping at Sun Nurseries.) Many Hocoblog readers might already know this area, if they've been going to the Howard County Fairgrounds, the Howard County Conservancy or Sun Nurseries.

On my latest drives, I couldn't see much, if any, damage from last weekend's hurricane from the road, but there must have been some effect: Temporary signs along 144 advise local residents about place and time for picking up emergency water supplies.

Even closer to Columbia, not to be overlooked is some scenery along 108 between River Hill Garden Center in Clarksville and Lake Centennial. The Garden Center's parking lot enjoys a view of farm and woodland sloping away on the other side of the road. Further down 108, there's a patch that almost looks like an English country lane with large old trees separating the road from a sheep pasture. [Well, that stretch of 108 isn't quite as charming as I recall it, and the sheep pasture might have been switched to other purposes. It's a nice drive on the weekend, but the English country lane feeling is gone.]

Wildflower note for late July/early August: Stately stands of Joe Pye weed at peak bloom can be seen in a couple of places where 144 dips into dales where there are small streams or marshy areas. When you reach Sun Nurseries on Bushy Park Road off 144, you can buy your own Joe Pye weed!

My Joe Pye purchase will have to wait as I continue to develop the garden area where I might plant it. This weekend's garden project involved making sure that a problem area on my front patio would support a Hydrangea bush. After checking out the soil, I made the second trip to Sun to buy "Lady in Red", a Hydrangea macrophylla cultivar that will provide much foliage interest even when the plant is not in summer bloom.

hocoblogs@@@

Sunday, September 4, 2011

Cecil Beaton Portraits ~~ "My Fair Lady"



W. H. Auden once said that if you want to understand the 19th century, you must understand Hector Berlioz. Could we say that if you want to understand the 20th century, you must understand Cecil Beaton?

I remember catching the Beaton exhibit at the National Gallery of Art in DC a few years ago. Perhaps that was related to the exhibit at the National Portrait Gallery in London which was cataloged in this volume. I found copies at Daedalus Books here in Columbia yesterday, but the stack was very small when I made my purchase.

Beaton was behind the production and costume design of the movie, "My Fair Lady" (1964). Seeing the entire movie for my first time this year, I had to watch the beautifully designed and choreographed Ascot Opening Day sequence again after the movie was over. That was on DVD, but it deserves to be seen on larger cinema screens again.

(Image from isbnlib.com. Published in the US by Yale University Press; in the UK by National Portrait Gallery Publications, 2004.)

Saturday, September 3, 2011

very quick calendar

Some things I noticed as I began to look at season openings, my previous post on travel difficulties notwithstanding:

Guitarist Ana Vidovic plays at An die Musik this Sunday evening, Sept. 4. -- a Sunday evening on a holiday weekend, no less, and the big race in Baltimore that otherwise would make getting there impossible is on (Saturday????).

After season preview concerts and a gala concert with violinist Hilary Hahn, the Baltimore Symphony Orchestra will play Tchaikovsky's Sixth Symphony, Dvorak's Cello Concerto and a new work later in September (and I think I can get to one of the performances easily enough).

[Sept. 10: Gardening event. See gardening label.]

Candlelight Concerts here in Columbia starts the season with the Ying Quartet on October 1....The Mendelssohn Piano Trio performs for Sundays at Three the next day, Oct. 2.

Kronos Quartet begins its artists in residence series at U of M's Clarice Smith Center this month....An die Musik hosts the Baltimore Lieder Weekend in October.

At the opera: Baltimore Concert Opera opens with "Madama Butterfly" on Sept. 23 and 25....The new Lyric Opera Baltimore, taking over the mantle of the Baltimore Opera Company, doesn't get rolling until Nov. 4 and 6 with "La Traviata"....Peabody Opera's collaboration with LOB in "The Rake's Progress" by Stravinsky is also in November. See Peabody's schedule for other new and rare operas this season....Opera Vivente opens with "The Marriage of Figaro", Nov. 11 to 19.

Links to these ensembles and more are in the blog's margin. Calendar label on this post will pull up other details and links, too.

See you at the opera house and concert hall. Drive safely.

Frustrations of Traveling to Performances

All with the understanding that there is a balance between the quality of what's ultimately in store in a performance at the end of the trip to the concert hall or opera house and the effort of simply getting to the event...

I started looking at various calendars in my margin links to make notes on my own calendar, and I'm curious about whether anyone else who ever attended the Baltimore Symphony Orchestra concerts stopped going as often after the BSO split its time between the Meyerhoff in Baltimore and the Strathmore in Montgomery County closer to DC. As a commuter from the suburbs between the two cities, I find it easier to reach the Meyerhoff for Friday, Saturday or Sunday performances. If I have to go to the Strathmore, I might as well be getting onto the DC Metro station there -- that's my usual route to the Kennedy Center (but see below for Metro problems). Of course, the BSO must strategize to make money, and I realize that whenever a performing ensemble makes a move like this, some established patrons will be inconvenienced and some new patrons will be gained.

Perhaps, I will get to some BSO concerts this season after all (none last year, though there were some programs that caught my eye), because I'm skipping subscribing to the Washington National Opera in DC. (When the BSO had a Friday night concert at the Meyerhoff but I had a WNO ticket for the following evening on Saturday, I rarely felt like going to both events.) The DC Metro should be the easiest way to get to events at the Kennedy, where the WNO performs, but the current state of Metro persuaded me to cancel going to practically all of WNO's last season. I held on to my ticket for the Gluck opera with Domingo and Racette -- the one highlight of the season I thought was worth the trouble of getting there. And then on the holiday weekend for my ticket's date, both Metro and WNO (to their credit, of course) sent out advisories about extensive work and delays on the tracks that weekend. After previous experiences with Metro when things were working normally, I really had to weigh the effort to get to the Kennedy on that particular weekend against how I would feel if I succeeded in reaching the Kennedy. I ultimately decided not to go. I wasted a lot of money, but I might have wasted it, too, if I had attempted the trip and found myself too fatigued once at my destination or even unable to get to it, as has happened before. (When to work on the tracks probably was not an easy choice for Metro, either -- they had to consider both the holiday weekend visitors to DC and commuters during the regular work week.)

Perhaps, I try to go to too many events, more than is practical for any concert or opera-goer. I won't spend money on a full subscription to the WNO again, but I am considering my options if I want to go to a particular WNO performance during the season. Or maybe I will say good-bye to DC and the Metro and focus on the multiple choices in Baltimore and even in my immediate neighborhood of Columbia here in the suburbs. Or maybe I'll drive to opera in Pittsburgh and Philadelphia.

Or maybe I'll stay home and listen to the operas and pieces I want to hear on the stereo. (If live performance recordings ever start picking up cellphone intrusions from the audience...)

On a related note, I've been limiting myself to attending performances scheduled from Friday evening to Sunday afternoon (sometimes evening). I used to head into Baltimore for mid-week evening performances after work, but the heavy evening traffic and concerns about the next morning's commute stopped that.

Perhaps, I'm just getting crankier as I get older. Happy Labor Day Weekend.